An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent
Philip Thompson
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Acting for Animators
Ed Hooks
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Speaking Shakespeare
Patsy Rodenburg
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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How to Swing in Musical Theatre : A Guide to Covering the Ensemble
Jaye J. Elster
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Stanislavsky and Race : Questioning the “System” in the 21st Century
Siiri Scott
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Why Theatre Education Matters : Understanding Its Cognitive, Social, and Emotional Benefits
Thalia R. Goldstein
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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Acting Professionally : An Essential Career Guide for the Actor
Professor Robert (University of California, Irvine, USA) Cohen
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Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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