The Routledge Companion to Performance-Related Concepts in Non-European Languages
Erika (Free University of Berlin, Germany) Fischer-Lichte
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Why Theatre Education Matters : Understanding Its Cognitive, Social, and Emotional Benefits
Thalia R. Goldstein
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Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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An Actor’s Guide to Corporate Role Play : The Best Side-Job for Actors
Syrus (Freelance practitioner, UK) Lowe
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Acting Professionally : An Essential Career Guide for the Actor
Professor Robert (University of California, Irvine, USA) Cohen
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New Approaches to Ernst Lubitsch : A Light Touch
Peucker Brigitte Peucker
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An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Sounding Bodies : Identity, Injustice, and the Voice
Ann Cahill
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Lessons from our Students : Meditations on Performance Pedagogy
Stacey Cabaj
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How Does Disability Performance Travel? : Access, Art, and Internationalization
Christiane Czymoch
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Imagining the Method : Reception, Identity, and American Screen Performance
Rawlins Justin Owen Rawlins
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The Non-Professional Actor : Italian Neorealist Cinema and Beyond
Dr. Catherine (Bristol University, UK) O'Rawe
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The Professional Actor's Handbook : From Casting Call to Curtain Call
Julio Agustin
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Innovation & Digital Theatremaking : Rethinking Theatre with “The Show Must Go Online”
Robert Myles
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