Why Theatre Education Matters : Understanding Its Cognitive, Social, and Emotional Benefits
Thalia R. Goldstein
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The Third Space : Body, Voice, and Imagination
Robert Lewis
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The Third Space : Body, Voice, and Imagination
Robert Lewis
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Routledge Companion to Performance-Related Concepts in Non-European Languages
Erika (Free University of Berlin, Germany) Fischer-Lichte
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Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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The Art of Broadsword Fighting for Stage and Screen : An Actor's and Director's Guide to Staged Violence
Erick Vaughn Wolfe
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The Art of Broadsword Fighting for Stage and Screen : An Actor's and Director's Guide to Staged Violence
Erick Vaughn Wolfe
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The Routledge Companion to Performance-Related Concepts in Non-European Languages
Erika (Free University of Berlin, Germany) Fischer-Lichte
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The Routledge Companion to Performance-Related Concepts in Non-European Languages
Erika (Free University of Berlin, Germany) Fischer-Lichte
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Shakespeare and Lecoq : A Practical Guide for Actors, Directors, Students and Teachers
Abigail Rokison-Woodall
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