Psychophysical Acting : An Intercultural Approach after Stanislavski
Phillip B. Zarrilli
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Movement Training for the Modern Actor
Mark Evans
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Secrets of Acting Shakespeare : The Original Approach
Patrick Tucker
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How Does Disability Performance Travel? : Access, Art, and Internationalization
Christiane Czymoch
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How Does Disability Performance Travel? : Access, Art, and Internationalization
Christiane Czymoch
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Reconstructing Performance Art : Practices of Historicisation, Documentation and Representation
Tancredi Gusman
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Reconstructing Performance Art : Practices of Historicisation, Documentation and Representation
Tancredi Gusman
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Puppet and Spirit: Ritual, Religion, and Performing Objects : Volume I Sacred Roots: Material Entities, Consecrating Acts, Priestly Puppeteers
Claudia Orenstein
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Puppet and Spirit: Ritual, Religion, and Performing Objects : Volume I Sacred Roots: Material Entities, Consecrating Acts, Priestly Puppeteers
Claudia Orenstein
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Etienne Decroux and his Theatre Laboratory
Marco de Marinis
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Etienne Decroux and his Theatre Laboratory
Marco de Marinis
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Independent Performing Arts in Europe : Establishment and Survival of an Emerging Field
Thomas Fabian Eder
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Independent Performing Arts in Europe : Establishment and Survival of an Emerging Field
Thomas Fabian Eder
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Shakespearean Characterization : A Guide for Actors and Students
O'Dell Leslie O'Dell
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The Six Questions : Acting Technique For Dance Performance
Nagrin Daniel Nagrin
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Long Form Improvisation and American Comedy : The Harold
M. Fotis
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An Actor's Work : A Student's Diary
Konstantin Stanislavski
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An Actor's Work : A Student's Diary
Konstantin Stanislavski
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Psychophysical Acting : An Intercultural Approach after Stanislavski
Phillip B. Zarrilli
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Science and the Stanislavsky Tradition of Acting
Jonathan Pitches
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Science and the Stanislavsky Tradition of Acting
Jonathan Pitches
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