An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Acting for Animators
Ed Hooks
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Speaking Shakespeare
Patsy Rodenburg
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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Strasberg's Method As Taught by Lorrie Hull : A Practical Guide for Actors, Teachers, Directors
S Loraine Hull
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How To Stop Acting
Harold Guskin
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To the Actor : On the Technique of Acting
Michael Chekhov
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The Body Speaks : Performance and physical expression
Lorna Marshall
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And Then, You Act : Making Art in an Unpredictable World
Anne (Siti Theatre Company New York, USA) Bogart
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Acting Stanislavski : A practical guide to Stanislavski’s approach and legacy
John (Independent scholar, UK) Gillett
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The Lee Strasberg Notes
Lola Cohen
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Movement Training for Actors
Jackie (Senior Lecturer, Manchester School of Art) Snow
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Musical Theatre Auditions and Casting : A performer's guide viewed from both sides of the audition table
Neil Rutherford
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Actor Movement : Expression of the Physical Being
Vanessa (Central School of Speech and Drama, UK) Ewan
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An Actor Prepares
Constantin Stanislavsky
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Theatre Games : A New Approach to Drama Training
Clive Barker
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Award Monologues for Women
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Michael Chekhov’s Acting Technique : A Practitioner’s Guide
Sinead (Central School of Speech and Drama, UK) Rushe
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