Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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Why Theatre Education Matters : Understanding Its Cognitive, Social, and Emotional Benefits
Thalia R. Goldstein
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Strasberg's Method As Taught by Lorrie Hull : A Practical Guide for Actors, Teachers, Directors
S Loraine Hull
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Acting Professionally : An Essential Career Guide for the Actor
Professor Robert (University of California, Irvine, USA) Cohen
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New Approaches to Ernst Lubitsch : A Light Touch
Peucker Brigitte Peucker
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Acting Power : The 21st Century Edition
Robert Cohen
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Audience Participation in Theatre : Aesthetics of the Invitation
G. White
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Blowing the Bloody Doors Off : And Other Lessons in Life
Michael Caine
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Alan Rickman on Jaques (Shakespeare On Stage)
Alan Rickman
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The Unlimited Actor : Easy, New Techniques for Auditions, Character Development, and Unlocking Your Full Creative Range
Nancy Mayans
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An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Acting A to Z (Revised Second Edition)
Katherine Mayfield
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