Why Theatre Education Matters : Understanding Its Cognitive, Social, and Emotional Benefits
Thalia R. Goldstein
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The Routledge Companion to Performance-Related Concepts in Non-European Languages
Erika (Free University of Berlin, Germany) Fischer-Lichte
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Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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The Independent Actor : An Accessible Companion for All Actors
Sally Ann Gritton
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An Actor’s Guide to Corporate Role Play : The Best Side-Job for Actors
Syrus (Freelance practitioner, UK) Lowe
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Acting Professionally : An Essential Career Guide for the Actor
Professor Robert (University of California, Irvine, USA) Cohen
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The Alexander Technique : A Personal and Critical Guide for Practitioners, Students and Performance Artists
Peter Ribeaux
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Art Of Teaching Acting, The: Every Teacher's What, Why And How
Dean (Actors Centre Australia, Australia) Carey
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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Stella Adler : The Art of Acting
Howard Kissel
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The Method : How the Twentieth Century Learned to Act
Isaac Butler
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An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Theatre for Early Years : Research in Performing Arts for Children from Birth to Three
Wolfgang Schneider
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Sounding Bodies : Identity, Injustice, and the Voice
Ann Cahill
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Lessons from our Students : Meditations on Performance Pedagogy
Stacey Cabaj
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How Does Disability Performance Travel? : Access, Art, and Internationalization
Christiane Czymoch
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