Barbara Ann Teer and the National Black Theatre : Transformational Forces in Harlem
Lundeana Marie Thomas
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Lead Belly, Woody Guthrie, Bob Dylan, and American Folk Outlaw Performance
Damian A. Carpenter
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Interrogating America through Theatre and Performance
Kenneth A. Loparo
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Street Performers and Society in Urban Japan, 1600-1900 : The Beggar's Gift
Gerald (Yamanashi University, Kofu, Japan) Groemer
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Scenic Art for the Theatre : History, Tools and Techniques
Susan Crabtree
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Performance Studies : An Introduction
Richard (Tisch School of the Arts, NYU, USA) Schechner
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Gender and Dance in Modern Iran : Biopolitics on stage
Ida (The Pennsylvania State University) Meftahi
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Political Theatre in Post-Thatcher Britain : New Writing, 1995-2005
A. Kritzer
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Shakespeare's Marlowe : The Influence of Christopher Marlowe on Shakespeare's Artistry
Robert A. Logan
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Inclusive Arts Practice and Research : A Critical Manifesto
Alice (University of Brighton) Fox
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The Analysis of Performance Art : A Guide to its Theory and Practice
Anthony Howell
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The Analysis of Performance Art : A Guide to its Theory and Practice
Anthony Howell
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The Art of Light on Stage : Lighting in Contemporary Theatre
Yaron (University of Groningen) Abulafia
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Drawing and Rendering for Theatre : A Practical Course for Scenic, Costume, and Lighting Designers
Clare (Associate Professor, University of Arizona School of Thea Rowe
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Drawing and Rendering for Theatre : A Practical Course for Scenic, Costume, and Lighting Designers
Clare (Associate Professor, University of Arizona School of Thea Rowe
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Theatre-Making : Interplay Between Text and Performance in the 21st Century
D. Radosavljevic
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Commedia Dell'Arte: An Actor's Handbook
John (University of Exeter, UK) Rudlin
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Theory/Theatre : An Introduction
Mark (University of Guelph, Canada) Fortier
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Commedia Dell'Arte: An Actor's Handbook
John (University of Exeter, UK) Rudlin
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Digital Storytelling, Applied Theatre, & Youth : Performing Possibility
Megan (University of Texas - Austin, USA) Alrutz
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Tragedy and Dramatic Theatre
Hans-Thies (University of Frankfurt, Germany) Lehmann
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Choreographing Empathy : Kinesthesia in Performance
Susan (University of California, Los Angeles, USA) Foster
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Intellectual and Cultural Property : Between Market and Community
Fiona (Birkbeck College, University of London, UK) Macmillan
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Making a Performance : Devising Histories and Contemporary Practices
Emma Govan
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