The Storyteller Sequence : Karamazoo; Fairytaleheart; Sparkleshark; Moonfleece; Brokenville
Ridley Philip Ridley
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Teaching and Learning Shakespeare through Theatre-based Practice
Tracy Irish
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Teaching and Learning Shakespeare through Theatre-based Practice
Tracy Irish
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Why We Dance : A Story of Hope and Healing
Havrelock Deidre Havrelock
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The Improv Illusionist : Using Object Work, Environment, and Physicality in Performance
David Raitt
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The Improv Illusionist : Using Object Work, Environment, and Physicality in Performance
David Raitt
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Tap and Rap, Move and Groove
Connie Bergstein Dow
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Tap and Rap, Move and Groove
Connie Bergstein Dow
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Crime Scene Investigation
Harris Barbara Harris
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Supporting Drama and Imaginative Play in the Early Years
Lesley Hendy
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My Father, Odysseus
Wertenbaker Timberlake Wertenbaker
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Upfront Theatre : Why Is John Lennon Wearing A Skirt?; Arsehammers; The Year of the Monkey; Hard Working Families
Dowie Claire Dowie
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Upfront Theatre : Why Is John Lennon Wearing A Skirt?; Arsehammers; The Year of the Monkey; Hard Working Families
Dowie Claire Dowie
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The Curious Incident of the Dog in the Night-Time: Abridged for Schools
Stephens Simon Stephens
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200 Plays for GCSE and A-Level Performance : A Drama Teacher's Guide
Hanlan Jason Hanlan
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200 Plays for GCSE and A-Level Performance : A Drama Teacher's Guide
Hanlan Jason Hanlan
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Auditioning for Film and Television : A Post #Metoo Guide
Nancy Bishop
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