Bad History and the Logics of Blockbuster Cinema : Titanic, Gangs of New York, Australia, Inglourious Basterds
P. McGee
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Psychoanalyzing Cinema : A Productive Encounter with Lacan, Deleuze, and Zizek
j. jagodzinski
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Media Representations of Police and Crime : Shaping the Police Television Drama
M. Colbran
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Screenwriters and Screenwriting : Putting Practice into Context
C. Batty
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From Fairy Tale to Film Screenplay : Working with Plot Genotypes
Terence Patrick Murphy
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Movies That Move Us : Screenwriting and the Power of the Protagonist's Journey
C. Batty
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Screenwriting Poetics and the Screen Idea
I. MacDonald
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A New History of British Documentary
J. Chapman
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Why We Remake : The Politics, Economics and Emotions of Film and TV Remakes
Lauren Rosewarne
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Why We Remake : The Politics, Economics and Emotions of Film and TV Remakes
Lauren Rosewarne
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Multiplicity and Cultural Representation in Transmedia Storytelling : Superhero Narratives
Natalie Underberg-Goode
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Multiplicity and Cultural Representation in Transmedia Storytelling : Superhero Narratives
Natalie Underberg-Goode
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Border Crossing : Russian Literature into Film
Alexander Burry
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Writing for Animation
Laura (Independent screenwriter, UK) Beaumont
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The Ways of the Word : Episodes in Verbal Attention
Garrett Stewart
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What If? : Twenty-Two Scenarios in Search of Images
Vilem Flusser
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None Lawrence Durrell's Endpapers and Inklings 1933-1988, Volume Two : Dramas, Screenplays, Essays, Incorrigibilia
Richard Pine
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None Lawrence Durrell's Endpapers and Inklings 1933-1988, Volume One : Autobiographies, Fictions, Spirit of Place
Richard Pine
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None Reception Studies and Adaptation : A Focus on Italy
Giulia Magazzu
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The Gladiators vs. Spartacus, Volume 2 : Abraham Polonsky's Screenplay
Abraham Polonsky
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