Marxist Film Theory and Fight Club
Anna (University of Illinois, USA) Kornbluh
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Writing for Animation
Laura (Independent screenwriter, UK) Beaumont
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Writing and Selling Thriller Screenplays : From TV Pilot to Feature Film
Lucy Hay
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Notes on a Scandal
Patrick (this is Patrick's London office) Marber
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Inside Llewyn Davis
Ethan Coen
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Inclusive Screenwriting for Film and Television
Jess (DePaul University, USA) King
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Alternative Scriptwriting : Contemporary Storytelling for the Screen
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Crafting Short Screenplays That Connect
Claudia (Award-Winning Screenwriter and Florida State Hunter Johnson
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Character is Structure : The Insider’s Guide to Screenwriting
Ted Wilkes
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Screen Production Research : Creative Practice as a Mode of Enquiry
Craig Batty
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How to be a Sitcom Writer : Secrets from the Inside
Marc (Southampton Solent University, UK) Blake
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First Reformed
Paul Schrader
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The Misfits
Arthur Miller
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Scenarios : Aguirre, the Wrath of God; Every Man for Himself and God Against All; Land of Silence and Darkness; Fitzcarraldo
Werner Herzog
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Writing Compelling Dialogue for Film and TV : The Art & Craft of Raising Your Voice on Screen
Loren-Paul (Columbia University; NYU Tisch; Hofstra University Caplin
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SceneWriting : The Missing Manual for Screenwriters
Chris (Hampshire College, USA) Perry
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The Double
Richard Ayoade
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Scriptwriting for Film, Television and New Media
Alan (Point Loma Nazarene University, USA) Hueth
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The Films of Laura Mulvey and Peter Wollen : Scripts, Working Documents, Interpretation
Oliver Fuke
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What If? : Twenty-Two Scenarios in Search of Images
Vilem Flusser
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JFK : The Book of the Film
Oliver Stone
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The African Desperate
Martine Syms
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Andre Bazin on Adaptation : Cinema's Literary Imagination
Andre Bazin
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Mr Lonely
Eric Morecambe
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