Writing for the Screen : Creative and Critical Approaches
Batty Craig Batty
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Marxist Film Theory and Fight Club
Anna (University of Illinois, USA) Kornbluh
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Writing for Animation
Laura (Independent screenwriter, UK) Beaumont
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Writing and Selling Thriller Screenplays : From TV Pilot to Feature Film
Lucy Hay
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Inside Llewyn Davis
Ethan Coen
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Inclusive Screenwriting for Film and Television
Jess (DePaul University, USA) King
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Alternative Scriptwriting : Contemporary Storytelling for the Screen
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Character is Structure : The Insider’s Guide to Screenwriting
Ted Wilkes
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Screen Production Research : Creative Practice as a Mode of Enquiry
Craig Batty
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La Haine : French Film Guide
Ginette Vincendeau
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La Jetee : cine-roman
Chris Marker
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First Reformed
Paul Schrader
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The Misfits
Arthur Miller
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Scenarios : Aguirre, the Wrath of God; Every Man for Himself and God Against All; Land of Silence and Darkness; Fitzcarraldo
Werner Herzog
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The Screenwriter's Bible
David Trottier
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Crafting Short Screenplays That Connect
Claudia Hunter Johnson
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Writing Compelling Dialogue for Film and TV : The Art & Craft of Raising Your Voice on Screen
Loren-Paul (Columbia University; NYU Tisch; Hofstra University Caplin
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Screenwriting is Rewriting : The Art and Craft of Professional Revision
Jr., Epps, Jr. Jack Epps
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Short Films: Writing the Screenplay
Patrick Nash
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Genre Screenwriting : How to Write Popular Screenplays That Sell
Duncan Stephen V. Duncan
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SceneWriting : The Missing Manual for Screenwriters
Chris (Hampshire College, USA) Perry
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Dracula : The British Film Guide 7
Peter Hutchings
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La Haine : French Film Guide
Ginette Vincendeau
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