Cinema Expanded : Avant-Garde Film in the Age of Intermedia
Jonathan Walley
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The Cambridge Companion to Shakespeare on Screen
Russell Jackson
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Making Time in Stanley Kubrick's Barry Lyndon : Art, History, and Empire
Pramaggiore Maria Pramaggiore
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French and Spanish Queer Film : Audiences, Communities and Cultural Exchange
Chris Perriam
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The Architecture of David Lynch
Mr Richard Martin
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The Theatre and Films of Martin McDonagh
Patrick Lonergan
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Hitchcock's Ear : Music and the Director's Art
Schroeder David Schroeder
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Between Two Silences : Talking with Peter Brook
Mr Peter Brook
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Doubting Vision : Film and the Revelationist Tradition
Malcolm Turvey
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Robert Bresson : A Passion for Film
Tony Pipolo
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The Cambridge Companion to David Hare
Richard (University of Hull) Boon
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Wes Anderson : Why His Movies Matter
Browning Mark Browning
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Darren Aronofsky's Films and the Fragility of Hope
Skorin-Kapov Jadranka Skorin-Kapov
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Wes Anderson's Symbolic Storyworld : A Semiotic Analysis
Buckland Warren Buckland
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Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century
Peretti Luca Peretti
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Quentin Tarantino's Django Unchained : The Continuation of Metacinema
Speck Oliver C. Speck
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Hitchcock : Suspense, Humour and Tone
Susan Smith
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Philippe Grandrieux : Sonic Cinema
Hainge Greg Hainge
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Making an Exhibition of Myself: the autobiography of Peter Hall : The Autobiography of Peter Hall
Hall Peter Hall
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A Guide to Post-classical Narration : The Future of Film Storytelling
Thanouli Eleftheria Thanouli
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A Guide to Post-classical Narration : The Future of Film Storytelling
Thanouli Eleftheria Thanouli
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The Cinema of Powell and Pressburger
Morris Nathalie Morris
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