Towards a Theory of Montage : Sergei Eisenstein Selected Works, Volume 2
Sergei Eisenstein
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Creating Characters with Personality
Tom Bancroft
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Editing and Montage in International Film and Video : Theory and Technique
Luis Fernando Morales Morante
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MGM : Hollywood's Greatest Backlot
Steven Bingen
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Stop-motion Animation : Frame by Frame Film-Making with Puppets and Models
Barry JC Purves
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Art History for Filmmakers : The Art of Visual Storytelling
Dr Gillian McIver
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Something Like An Autobiography
Akira Kurosawa
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Mindful America : The Mutual Transformation of Buddhist Meditation and American Culture
Jeff Wilson
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Screening the Past : Memory and Nostalgia in Cinema
Pam Cook
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Mise-en-scene : Film Style and Interpretation
John Gibbs
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The Middle Ages in Popular Imagination : Memory, Film and Medievalism
Paul B. Sturtevant
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Film Histories : An Introduction and Reader
Paul Grainge
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Modern Languages Study Guides: Volver : Film Study Guide for AS/A-level Spanish
Jos Antonio Garc a S nchez
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An Introduction to Film Analysis : Technique and Meaning in Narrative Film
Ryan Michael Ryan
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Leave the Gun, Take the Cannoli : The Epic Story of the Making of The Godfather
Mark Seal
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Euro-Visions : Europe in Contemporary Cinema
Liz Mariana Liz
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Lighting for Cinematography : A Practical Guide to the Art and Craft of Lighting for the Moving Image
Landau David Landau
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Understanding Film Theory
Doughty Ruth Doughty
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Storytelling for Film and Television : From First Word to Last Frame
Ken Dancyger
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The Return of Martin Guerre
Davis Natalie Zemon Davis
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The Child in Film : Tears, Fears and Fairy Tales
Professor Karen Lury
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