The Oxford History of World Cinema
Geoffrey Nowell-Smith
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Genre Screenwriting : How to Write Popular Screenplays That Sell
Duncan Stephen V. Duncan
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The Monstrous-Feminine : Film, Feminism, Psychoanalysis
Barbara Creed
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Staging the Screen : The Use of Film and Video in Theatre
Giesekam Greg Giesekam
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The Archive Effect : Found Footage and the Audiovisual Experience of History
Jaimie Baron
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From iMovie to Final Cut Pro X : Making the Creative Leap
Tom Wolsky
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Running the Show : The Essential Guide to Being a First Assistant Director
Liz Gill
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Running the Show : The Essential Guide to Being a First Assistant Director
Liz Gill
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Color Grading 101 : Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists
Charles Haine
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The White Savior Film : Content, Critics, and Consumption
Hughey Matthew Hughey
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The Skin of the Film : Intercultural Cinema, Embodiment, and the Senses
Marks Laura U. Marks
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Reframing Bodies : AIDS, Bearing Witness, and the Queer Moving Image
Hallas Roger Hallas
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Crafting Short Screenplays That Connect
Claudia Hunter Johnson
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Medical Visions : Producing the Patient Through Film, Television, and Imaging Technologies
Kirsten Ostherr
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D.W. Griffith's the Birth of a Nation : A History of the Most Controversial Motion Picture of All Time
Melvyn Stokes
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Writings, 1934-1947 : Sergei Eisenstein Selected Works, Volume 3
Sergei Eisenstein
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