Bach, Handel and Scarlatti : Reception in Britain 1750-1850
Mark Kroll
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Bach, Handel and Scarlatti : Reception in Britain 1750-1850
Mark Kroll
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Knowledge Building in Early Modern English Music
Katie Bank
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Knowledge Building in Early Modern English Music
Katie Bank
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Anthology to accompany GATEWAYS TO UNDERSTANDING MUSIC
Samuel N. Dorf
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Anthology to accompany GATEWAYS TO UNDERSTANDING MUSIC
Samuel N. Dorf
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Bach Studies : Liturgy, Hymnology, and Theology
Robin A. Leaver
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Bach Studies : Liturgy, Hymnology, and Theology
Robin A. Leaver
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Early Printed Music and Material Culture in Central and Western Europe
Andrea Lindmayr-Brandl
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Early Printed Music and Material Culture in Central and Western Europe
Andrea Lindmayr-Brandl
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel Schwindt
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel Schwindt
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Gregorio Ballabene's Forty-eight-part Mass for Twelve Choirs (1772)
Florian Bassani
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Gregorio Ballabene's Forty-eight-part Mass for Twelve Choirs (1772)
Florian Bassani
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Johann Sebastian Bach: His Life, Art and Work
Johann Nikolaus Forkel
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Rodney Trudgeon's Concert Notes
Rodney Trudgeon
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Composers' Intentions? : Lost Traditions of Musical Performance
Andrew Parrott
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Handel in London : The Making of a Genius
Jane Glover
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None Rethinking J.S. Bach's Musical Offering
Anatoly Milka
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Vesper and Compline Music for Four Principal Voices : Agostino Agazzari, Giovanni Francesco Anerio, Giovanni Battista Biondi da Cesena, Maurizio Cazzati, Antonio Cifra, Chiara Margarita Cozzolani, Bon
Jeffrey Kurtzman
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Vesper and Compline Music for Four Principal Voices : Agostino Agazzari, Giovanni Francesco Anerio, Giovanni Battista Biondi da Cesena, Maurizio Cazzati, Antonio Cifra, Chiara Margarita Cozzolani, Bon
Jeffrey Kurtzman
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Vesper and Compline Music for Five Principal Voices, Part I
Jeffrey Kurtzman
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Vesper and Compline Music for Five Principal Voices, Part I
Jeffrey Kurtzman
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