Wagner in Context
David (University of Cambridge) Trippett
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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Lied at the Crossroads of Performance and Musicology
Benjamin Binder
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Lied at the Crossroads of Performance and Musicology
Benjamin Binder
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Audacious Euphony : Chromatic Harmony and the Triad's Second Nature
Richard Cohn
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Analyzing Classical Form : An Approach for the Classroom
William E. Caplin
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Elements of Sonata Theory : Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata
James Hepokoski
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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
David (University of Toronto, Canada) Beach
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From Paris to Peoria : How European Piano Virtuosos Brought Classical Music to the American Heartland
R. Allen Lott
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Classical Form : A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
William E. Caplin
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The Art of Partimento : History, Theory, and Practice
Giorgio Sanguinetti
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The Guitar and its Music : From the Renaissance to the Classical Era
James Tyler
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The Cantatas of J. S. Bach : With their librettos in German-English parallel text
Alfred Durr
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Classical Form : A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
William E. Caplin
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From the Clarinet D'Amour to the Contra Bass : A History of Large Size Clarinets, 1740-1860
Albert R. Rice
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The Organ Music of Johannes Brahms
Barbara Owen
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The Birth of the Orchestra : History of an Institution, 1650-1815
John Spitzer
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The Career of an Eighteenth-Century Kapellmeister : The Life and Music of Antonio Rosetti
Sterling E. Murray
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Nineteenth-Century Piano Music
R. Larry (Duke University, Durham, North Carolina, USA Duke Univ Todd
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The Routledge Research Companion to Johann Sebastian Bach
Robin Leaver
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The Quest for the Melodic Electric Bass : From Jamerson to Spenner
Per Elias Drablos
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