Representing Rome's Emperors : Homeric Ethics in Renaissance Epic and Opera
Sarah Van der Laan
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Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Blair Hoxby
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Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Blair Hoxby
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Inside Bluebeard's Castle : Music and Drama in B?la Bart?k's Opera
Carl S. Leafstedt
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The Modern Castrato : Gaetano Guadagni and the Coming of a New Operatic Age
Patricia Howard
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Performing Arts in Changing Societies : Opera, Dance, and Theatre in European and Nordic Countries around 1800
Randi Margrete Selvik
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Opera, Emotion, and the Antipodes Volume I : Historical Perspectives: Creating the Metropolis; Delineating the Other
Jane Davidson
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D’Oyly Carte : The Decline and Fall of an Opera Company
Paul Seeley
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Audience Experience and Contemporary Classical Music : Negotiating the Experimental and the Accessible in a High Art Subculture
Gina Emerson
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Postopera: Reinventing the Voice-Body
Jelena Novak
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Musical Theatre, Realism and Entertainment
Millie Taylor
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Masque and Opera in England, 1656-1688
Andrew Walkling
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Grand Illusion : Phantasmagoria in Nineteenth-Century Opera
Gabriela Cruz
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Messa da Requiem : Critical Edition Study Score
Verdi Giuseppe Verdi
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None Emma di Resburgo : Melodramma eroico in due atti; Poesia di Gaetano Rossi Musica di Giacomo Meyerbeer
Robert Ignatius Letellier
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Gyorgy Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque
Peter Edwards
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Music and the Exotic from the Renaissance to Mozart
Ralph P. Locke
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Puccini's La fanciulla del West and American Musical Identity
Kathryn Fenton
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Genre Beyond Borders : Reassessing Operetta
Bruno Bower
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