Acting for Singers : Creating Believable Singing Characters
David F. Ostwald
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Cambridge Introduction to Theatre Directing
Christopher Innes
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Understanding the Leitmotif : From Wagner to Hollywood Film Music
Matthew Bribitzer-Stull
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Understanding the Leitmotif : From Wagner to Hollywood Film Music
Matthew Bribitzer-Stull
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Caruso and Tetrazzini On the Art of Singing
Enrico Caruso
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Three Modes of Perception in Mozart : The Philosophical, Pastoral, and Comic in Cosi fan tutte
Edmund J. Goehring
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Puccini Problem : Opera, Nationalism, and Modernity
Alexandra Wilson
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Chinatown Opera Theater in North America
Rao Nancy Yunhwa Rao
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Building a Career in Opera from School to Stage: Operapreneurship : CMS Emerging Fields in Music
James Harrington
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Building a Career in Opera from School to Stage: Operapreneurship : CMS Emerging Fields in Music
James Harrington
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Opera, Emotion, and the Antipodes Volume I : Historical Perspectives: Creating the Metropolis; Delineating the Other
Jane Davidson
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D’Oyly Carte : The Decline and Fall of an Opera Company
Paul Seeley
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Audience Experience and Contemporary Classical Music : Negotiating the Experimental and the Accessible in a High Art Subculture
Gina Emerson
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Cambridge Companion to Wagner's Der Ring des Nibelungen
Mark Berry
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Postopera: Reinventing the Voice-Body
Jelena Novak
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Musical Theatre, Realism and Entertainment
Millie Taylor
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Masque and Opera in England, 1656-1688
Andrew Walkling
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