From Modes to Keys in Early Modern Music Theory
Michael R. Dodds
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The Modern Castrato : Gaetano Guadagni and the Coming of a New Operatic Age
Patricia Howard
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Classical Form : A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
William E. Caplin
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The Art of Partimento : History, Theory, and Practice
Giorgio Sanguinetti
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The Keyboard Music of J.S. Bach
David Schulenberg
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Classical Form : A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
William E. Caplin
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The Guitar and its Music : From the Renaissance to the Classical Era
James Tyler
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Isolde Ahlgrimm, Vienna and the Early Music Revival
Peter Watchorn
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Demetrius Cantemir: The Collection of Notations : Volume 2: Commentary
Owen Wright
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The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries
Charles E. Brewer
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The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries
Charles E. Brewer
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Vesper and Compline Music for One Principal Voice : Vesper & Compline Psalms & Canticles for One & Two Voices
Jeffrey Kurtzman
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Vesper and Compline Music for One Principal Voice : Vesper & Compline Psalms & Canticles for One & Two Voices
Jeffrey Kurtzman
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The Craft of Tonal Counterpoint
Thomas Benjamin
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J.S. Bach's Great Eighteen Organ Chorales
Russell Stinson
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The Birth of the Orchestra : History of an Institution, 1650-1815
John Spitzer
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Vivaldi's Music for Flute and Recorder
Michael Talbot
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Music in Seventeenth-Century Naples : Francesco Provenzale (1624-1704)
Dinko Fabris
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Johann Mattheson's Pieces de clavecin and Das neu-eroffnete Orchestre : Mattheson's Universal Style in Theory and Practice
Margaret Seares
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Demetrius Cantemir: The Collection of Notations : Volume 2: Commentary
Owen Wright
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Bach Performance Practice, 1945-1975 : A Comprehensive Review of Sound Recordings and Literature
Dorottya Fabian
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Aspects of the Secular Cantata in Late Baroque Italy
Michael Talbot
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