Clara Schumann : The Artist and the Woman
Nancy Reich
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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
David (University of Toronto, Canada) Beach
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From the Clarinet D'Amour to the Contra Bass : A History of Large Size Clarinets, 1740-1860
Albert R. Rice
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Music & the British Military in the Long Nineteenth Century
Trevor Herbert
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The Virtuoso as Subject : The Reception of Instrumental Virtuosity, c. 1815-c. 1850
zarko Cvejic
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Mahler's Voices : Expression and Irony in the Songs and Symphonies
Julian Johnson
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Meyerbeer's Singspiele and Operas-Comiques
Robert Ignatius Letellier
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The Afterlife of Bach's Organ Works : Their Reception from the Nineteenth Century to the Present
Russell Stinson
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The Afterlife of Bach's Organ Works : Their Reception from the Nineteenth Century to the Present
Russell Stinson
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None Meyerbeer's Italian Operas
Robert Ignatius Letellier
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Musical Women in England, 1870-1914 : Encroaching on All Man's Privileges
NA NA
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Discordant Melody : Alexander Zemlinsky, His Songs, and the Second Viennese School
Gorrell Lorraine Gorrell
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Gustav Mahler's Symphonies : Critical Commentary on Recordings Since 1986
Smoley Lewis M. Smoley
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Classical and Romantic Performing Practice 1750-1900
Clive Brown
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Schumann's Eichendorff Liederkreis and the Genre of the Romantic Cycle
David Ferris
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French Cultural Politics and Music : From the Dreyfus Affair to the First World War
Jane F. Fulcher
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Fantasy Pieces : Metrical Dissonance in the Music of Robert Schumann
Harald Krebs
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The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century
Paul Watt
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