Bruckner's Symphonies : Analysis, Reception and Cultural Politics
Julian (University College Dublin) Horton
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Music-Dance : Sound and Motion in Contemporary Discourse
Patrizia Veroli
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Wiener Philharmoniker 1 - Vienna Philharmonic and Vienna State Opera Orchestras: Discography : 1905-1954 Pt. 1
John Hunt
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Symphony Orchestras of the United States : Selected Profiles
Robert R. Craven
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Conductors and Composers of Popular Orchestral Music : A Biographical and Discographical Sourcebook
Reuben Musiker
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Bartok's Viola Concerto : The Remarkable Story of His Swansong
Donald (Associate Professor of Music, Associate Professor of Maurice
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The Score, the Orchestra, and the Conductor
Gustav (Director of the Graduate Conducting Program at the Peab Meier
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A Guide to Orchestral Music : The Handbook for Non-Musicians
Ethan Mordden
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Together in Music : Coordination, expression, participation
Renee (Professor of Psychology of Music, Professor of Psychol Timmers
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The Symphonic Repertoire, Volume II : The First Golden Age of the Viennese Symphony: Haydn, Mozart, Beethoven, and Schubert
A. Peter Brown
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The Symphonic Repertoire, Volume IV : The Second Golden Age of the Viennese Symphony: Brahms, Bruckner, Dvorak, Mahler, and Selected Contemporaries
A. Peter Brown
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£85.00
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The Birth of the Orchestra : History of an Institution, 1650-1815
John Spitzer
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American Orchestras in the Nineteenth Century
John Spitzer
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The Concerto : A Listener's Guide
Michael Steinberg
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Arvo Part's Tabula Rasa
Kevin C. (Winship Professor of Music History, Winship Professo Karnes
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Choral Monuments : Studies of Eleven Choral Masterworks
Dennis Shrock
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Choral Monuments : Studies of Eleven Choral Masterworks
Dennis Shrock
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Rethinking Reich
Sumanth (Associate Professor of Music Theory, Associate Prof Gopinath
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The Beat Stops Here : Lessons on and off the Podium for Today's Conductor
Mark (Professor and Director of Orchestral Studies, Professor Gibson
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The Beat Stops Here : Lessons on and off the Podium for Today's Conductor
Mark Gibson
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Antonin Dvo%rak's New World Symphony
Douglas W. Shadle
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