From Modes to Keys in Early Modern Music Theory
Michael R. Dodds
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Schubert : A Musical Wayfarer
Bodley Lorraine Bodley
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Become a Competent Music Producer in 365 Days
Sam George
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The Motet in the Late Middle Ages
Margaret Bent
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Creative Concert Production and Entrepreneurship : Concert Dramaturgy and Project Development for the Performing Arts
Andreas Sonning
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Creative Concert Production and Entrepreneurship : Concert Dramaturgy and Project Development for the Performing Arts
Andreas Sonning
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Hymns and Constructions of Race : Mobility, Agency, De/Coloniality
Erin Johnson-Williams
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Hymns and Constructions of Race : Mobility, Agency, De/Coloniality
Erin Johnson-Williams
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Audio Mastering : Separating the Science from Fiction
JP Braddock
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Audio Mastering : Separating the Science from Fiction
JP Braddock
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Form vs. Work : A Major Antinomy of Music Theory and Analysis
Ildar D. Khannanov
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Form vs. Work : A Major Antinomy of Music Theory and Analysis
Ildar D. Khannanov
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Burning Man : Learning from Heterotopia
Linda Noveroske-Tritten
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Burning Man : Learning from Heterotopia
Linda Noveroske-Tritten
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Streaming Sounds : Musical Listening in the Digital Age
Michael James Walsh
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Streaming Sounds : Musical Listening in the Digital Age
Michael James Walsh
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