From Modes to Keys in Early Modern Music Theory
Michael R. Dodds
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The Motet in the Late Middle Ages
Margaret Bent
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Representing Rome's Emperors : Homeric Ethics in Renaissance Epic and Opera
Sarah Van der Laan
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The Oxford History of the Novel in English : Volume 8: American Fiction since 1940
Cyrus R. K. Patell
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The Oxford History of the Novel in English : Volume 8: American Fiction since 1940
Cyrus R. K. Patell
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Women Performers in Bengal and Bangladesh : Caught up in the Culture of South Asia (1795-2010s)
Manujendra Kundu
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Music, Mind, and Language in Chinese Poetry and Performance : The Voice Extended
Casey Schoenberger
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Music, Mind, and Language in Chinese Poetry and Performance : The Voice Extended
Casey Schoenberger
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Scripting Empire : Broadcasting, the BBC, and the Black Atlantic
James Procter
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The Neoliberal Self in Bollywood : Cinema, Popular Culture, and Identity
Namrata Rele (Southern Illinois University, Carbondale) Sathe
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The Neoliberal Self in Bollywood : Cinema, Popular Culture, and Identity
Namrata Rele (Southern Illinois University, Carbondale) Sathe
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Following the Score : The Ravel Trilogy
Michael Pinchbeck
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Following the Score : The Ravel Trilogy
Michael Pinchbeck
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Dancing the Afrofuture : Hula, Hip-Hop, and the Dunham Legacy
Halifu Osumare
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Videojournalism : Multimedia Storytelling for Online, Broadcast and Documentary Journalists
Kenneth Kobre
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Videojournalism : Multimedia Storytelling for Online, Broadcast and Documentary Journalists
Kenneth Kobre
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Form vs. Work : A Major Antinomy of Music Theory and Analysis
Ildar D. Khannanov
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Form vs. Work : A Major Antinomy of Music Theory and Analysis
Ildar D. Khannanov
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Video Production : Disciplines and Techniques
James C. Foust
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Video Production : Disciplines and Techniques
James C. Foust
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Lied at the Crossroads of Performance and Musicology
Benjamin Binder
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Lied at the Crossroads of Performance and Musicology
Benjamin Binder
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Classical Antiquity and the Cinematic Imagination
Martin M. Winkler
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