Performing Grief in Pandemic Theatres
Fintan (Birkbeck, University of London) Walsh
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A Performance History of The Fair Penitent
Elaine (University of Bristol) McGirr
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Reading Shakespeare in Jewish Theological Frameworks : Shylock Beyond the Holocaust
Caroline Wiesenthal Lion
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Harold Pinter's Shakespeare : Shakespeare's Influence on the Work of Harold Pinter
Charles Morton
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Seeing Shakespeare’s Style
USA) Douglas Bruster (University of Texas at Austin
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The Collected Works of Thomas Kyd : Volume One
Brian Vickers
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Imitation and Contamination of the Classics in the Comedies of Ben Jonson : Guides Not Commanders
Tom Harrison
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Violent Liminalities in Early Modern Culture : Inhabiting Contested Thresholds
Kaye McLelland
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The Developer : Phase III (Avenue into the Abyss)
Stephen P Bye
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The RSC Shakespeare: The Complete Works
William Shakespeare
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English Renaissance Drama : A Norton Anthology
David (University of Chicago) Bevington
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William Shakespeare and Others : Collaborative Plays
Prof. Eric (USA) Rasmussen
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The Norton Shakespeare
Stephen (Harvard University) Greenblatt
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Shakespeare, The Movie : Popularizing the Plays on Film, TV and Video
Lynda E. Boose
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From Performance to Print in Shakespeare's England
P. Holland
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Thirteen Plays by Anton Chekhov, includes On The High Road, The Anniversary, On the Harmful Effects of Tobacco, Swansong, Ivanov, The Bear, A Tragedian in Spite of Himself, The Wedding, A Marriage Pro
Anton Chekhov
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Playfulness in Shakespearean Adaptations
Marina Gerzic
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Shakespeare in the World : Cross-Cultural Adaptation in Europe and Colonial India, 1850-1900
Suddhaseel Sen
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Shakespeare's Military Spouses and Twenty-First-Century Warfare
Kelsey Ridge
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The Shakespeare Multiverse : Fandom as Literary Praxis
Valerie M. Fazel
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