Gregorio Ballabene’s Forty-eight-part Mass for Twelve Choirs (1772)
Florian Bassani
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Authorship and Identity in Late Thirteenth-Century Motets
Catherine A. Bradley
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Music Theory in Late Medieval Avignon : Magister Johannes Pipardi
Karen M. Cook
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The Pre-history of ‘The Midsummer Marriage’ : Narratives and Speculations
Roger Savage
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Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London
Cheryll Duncan
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