The Victorian Novel and the Space of Art : Fictional Form on Display Paperback / softback
by Dehn (California Institute of Technology) Gilmore
Part of the Cambridge Studies in Nineteenth-Century Literature and Culture series
Paperback / softback
Description
This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history.
It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience.
Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public.
Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-siècle fiction.
Information
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Out of stock
- Format:Paperback / softback
- Pages:260 pages, 11 Halftones, black and white
- Publisher:Cambridge University Press
- Publication Date:01/09/2016
- Category:
- ISBN:9781107621268
Information
-
Out of stock
- Format:Paperback / softback
- Pages:260 pages, 11 Halftones, black and white
- Publisher:Cambridge University Press
- Publication Date:01/09/2016
- Category:
- ISBN:9781107621268
