Immersion and Participation in Punchdrunk's Theatrical Worlds
Carina E. I. (Bournemouth University, UK) Westling
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Orchestra Management in Practice
Salvino A. Salvaggio
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Orchestra Management in Practice
Salvino A. Salvaggio
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The Art of Clowning : More Paths to Your Inner Clown
E.
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Practising the Real on the Contemporary Stage
Jose A. Sanchez
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From the Theater to the Plaza : Spectacle, Protest, and Urban Space in Twenty-First-Century Madrid
Matthew I. Feinberg
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From the Theater to the Plaza : Spectacle, Protest, and Urban Space in Twenty-First-Century Madrid
Matthew I. Feinberg
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Theatres of Feeling : Affect, Performance, and the Eighteenth-Century Stage
Jean I. Marsden
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Theatres of Feeling : Affect, Performance, and the Eighteenth-Century Stage
Jean I. Marsden
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David Rudkin: Sacred Disobedience : An Expository Study of his Drama 1959-1994
David Ian Rabey
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David Rudkin: Sacred Disobedience : An Expository Study of his Drama 1959-1994
David Ian Rabey
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Immersion and Participation in Punchdrunk's Theatrical Worlds
Carina E. I. (Bournemouth University, UK) Westling
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Country House : Polish Theatre Archive
Stanislav I. Witkiewicz
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Pictorial Illusionism : The Theatre of Steele MacKaye
J. A. Sokalski
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Trump Was a Joke : How Satire Made Sense of a President Who Didn’t
Sophia A Mcclennen
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Trump Was a Joke : How Satire Made Sense of a President Who Didn’t
Sophia A Mcclennen
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Holocaust Theater : Dramatizing Survivor Trauma and its Effects on the Second Generation
Gene A. Plunka
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Holocaust Theater : Dramatizing Survivor Trauma and its Effects on the Second Generation
Gene A. Plunka
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The Nineteenth-Century Theatre in Spain : A Bibliography of Criticism and Documentation
Margaret A Rees
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The Nineteenth-Century Theatre in Spain : A Bibliography of Criticism and Documentation
Margaret A Rees
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Affirming the Absurd in Harold Pinter
Kenneth A. Loparo
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