Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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Prints and the Landscape Garden
Michael (Birkbeck College, University of London (retired) Garde Symes
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Why Does Tragedy Give Pleasure?
A. D. (Professor of English and Fellow, Professor of English Nuttall
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Mural Painting in Britain 1630-1730 : Experiencing Histories
Lydia (University of Cambridge) Hamlett
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Watteau and the Cultural Politics of Eighteenth-Century France
Julie Anne (University of Arizona) Plax
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The Death of the Baroque and the Rhetoric of Good Taste
Vernon (University of Colorado, Boulder) Minor
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An Artful Relic : The Shroud of Turin in Baroque Italy
Andrew R. (Miami University of Ohio) Casper
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Baroque between the Wars : Alternative Style in the Arts, 1918-1939
Jane (Senior Research Fellow at Campion Hall, University of Stevenson
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The Art and Science of William Bartram
Judith (Museum of Natural History, London) Magee
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The Arts of Collecting : Padre Sebastiano Resta and the Market for Drawings in Early Modern Europe
Genevieve (Courtauld Institute of Art, London) Warwick
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Portraits, Painters, and Publics in Provincial England 1540--1640
Robert (Distinguished Professor of History Emeritus, Concordi Tittler
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The Beautiful, Novel, and Strange : Aesthetics and Heterodoxy
Ronald (Mayer Professor in the School of Arts and Sciences, T Paulson
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