Star Wars: Return of the Jedi: A Visual Archive
Kelly Knox
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Mapping Taiwanese Cinema, 2008-20 : Environments, Poetics, Practice
Christopher Brown
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£85.00
£69.55
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Add to BasketMapping Taiwanese Cinema, 2008-20 : Environments, Poetics, Practice
Christopher Brown
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Mapping Taiwanese Cinema, 2008-20 : Environments, Poetics, Practice
Christopher Brown
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Intertextuality 2.0 : Metadiscourse and Meaning-Making in an Online Community
Cynthia (Associate Professor, Associate Professor, Department Gordon
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The Lyrics : 1956 to the Present
Paul McCartney
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Music Making in Iran from the 15th to the Early 20th Century
Amir Hosein Pourjavady
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Pink 2.0 : Encoding Queer Cinema on the Internet
Noah A. Tsika
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£72.00
£67.85
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Add to BasketTelevision 2.0 : Viewer and Fan Engagement with Digital TV
Rhiannon Bury
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Indie 2.0 : Change and Continuity in Contemporary American Indie Film
Geoff (Professor of Film Studies, Brunel University London, UK) King
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Celeb 2.0 : How Social Media Foster Our Fascination with Popular Culture
Kelli S. Burns
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Magician of Sound : Ravel and the Aesthetics of Illusion
Jessie Fillerup
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Schauspielvektoren im Kontrabassrepertoire im 20. und 21. Jahrhundert
Felipe Portinho
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From Havana to Hollywood : Slave Resistance in the Cinematic Imaginary
Philip Kaisary
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From Broadway to The Bronx : New York City’s History through Song
Veronika Keller
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Dark Dreams 2.0 : A Psychological History of the Modern Horror Film from the 1950s to the 21st Century
Charles Derry
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Hollywood's Imperial Wars : The Vietnam Generation and the American Myth of Heroic Continuity
Armando Jose Prats
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Cold War Country : How Nashville's Music Row and the Pentagon Created the Sound of American Patriotism
Joseph M. Thompson IV
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Cold War Country : How Nashville's Music Row and the Pentagon Created the Sound of American Patriotism
Joseph M. Thompson
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Cold War Country : How Nashville's Music Row and the Pentagon Created the Sound of American Patriotism
Joseph M. Thompson
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From Modes to Keys in Early Modern Music Theory
Michael R. Dodds
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