Italian Opera in the Age of the American Revolution
Pierpaolo (University of Notre Dame, Indiana) Polzonetti
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Opera in Postwar Venice : Cultural Politics and the Avant-Garde
Harriet Boyd-Bennett
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Dance and Drama in French Baroque Opera : A History
Rebecca Harris-Warrick
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Opera in the Age of Rousseau : Music, Confrontation, Realism
David (Royal Holloway, University of London) Charlton
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Landscape and Gender in Italian Opera : The Alpine Virgin from Bellini to Puccini
Emanuele (University of Oxford) Senici
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Three Modes of Perception in Mozart : The Philosophical, Pastoral, and Comic in Cosi fan tutte
Edmund J. (University of Notre Dame, Indiana) Goehring
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The Prima Donna and Opera, 1815-1930
Susan (University of Manchester) Rutherford
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Opera and Society in Italy and France from Monteverdi to Bourdieu
Victoria (University of Michigan, Ann Arbor) Johnson
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The Puccini Problem : Opera, Nationalism, and Modernity
Alexandra (Oxford Brookes University) Wilson
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Rossini in Restoration Paris : The Sound of Modern Life
Benjamin (University of Cambridge) Walton
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Opera in the Age of Rousseau : Music, Confrontation, Realism
David (Royal Holloway, University of London) Charlton
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When Opera Meets Film
Marcia J. (Rice University, Houston) Citron
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Italian Opera in the Age of the American Revolution
Pierpaolo (University of Notre Dame, Indiana) Polzonetti
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Foreign Opera at the London Playhouses : From Mozart to Bellini
Christina (Ashland University, Ohio) Fuhrmann
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The Rival Sirens : Performance and Identity on Handel's Operatic Stage
Suzanne (University of Oxford) Aspden
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Verdi, Opera, Women
Susan (University of Manchester) Rutherford
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Opera and Modern Spectatorship in Late Nineteenth-Century Italy
Alessandra (Tufts University, Massachusetts) Campana
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The Rival Sirens : Performance and Identity on Handel's Operatic Stage
Suzanne (University of Oxford) Aspden
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Wagner's Ring Cycle and the Greeks
Daniel H. (Duke University, North Carolina) Foster
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Situating Opera : Period, Genre, Reception
Herbert (Stanford University, California) Lindenberger
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