Films That Work Harder : The Circulation of Industrial Film
Vinzenz Hediger
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New Approaches to Ernst Lubitsch : A Light Touch
Brigitte Peucker
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How Film Histories Were Made : Materials, Methods, Discourses
Malte Hagener
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Cinema Beyond Film : Media Epistemology in the Modern Era
Maria Tortajada
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A Revolution for the Screen : Abel Gance's Napoleon
Paul Cuff
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The Last Great American Picture Show : New Hollywood Cinema in the 1970s
Alexander Horwath
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The Cinema of Attractions Reloaded
Wanda Strauven
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Walter Ruttmann and the Cinema of Multiplicity : Avant-Garde Film - Advertising - Modernity
Michael Cowan
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Cine-Dispositives : Essays in Epistemology Across Media
Maria Tortajada
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Melodrama After the Tears : New Perspectives on the Politics of Victimhood
Jorg Metelmann
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Neorealist Film Culture, 1945-1954 : Rome, Open Cinema
Francesco Pitassio
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Cinema and Narrative Complexity : Embodying the Fabula
Steffen Hven
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Late Bresson and the Visual Arts : Cinema, Painting and Avant-Garde Experiment
Raymond Watkins
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The Digital Image and Reality : Affect, Metaphysics and Post-Cinema
Daniel Strutt
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Daniele Huillet, Jean-Marie Straub : "Objectivists" in Cinema
Benoit Turquety
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Walter Ruttmann and the Cinema of Multiplicity : Avant-Garde Film - Advertising - Modernity
Michael Cowan
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Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz
Laleen Jayamanne
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Between Stage and Screen : Ingmar Bergman Directs
Egil Tornqvist
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A Second Life : German Cinema's First Decades
Thomas Elsaesser
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Film Festivals : From European Geopolitics to Global Cinephilia
Marijke de Valck
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