Dire, Redire et Ne Pas Dire : Enjeux du Dialogue Filmique dans les Contes des Quatre Saisons (?. Rohmer)
Carmen Alberdi
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Patricia Pisters
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Add to BasketImages of Dutchness : Popular Visual Culture, Early Cinema and the Emergence of a National Cliche, 1800-1914
Sarah Dellmann
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Women in the Silent Cinema : Histories of Fame and Fate
Annette Forster
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Dutch Post-war Fiction Film through a Lens of Psychoanalysis
Peter Verstraten
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Add to BasketPreserving and Exhibiting Media Art : Challenges and Perspectives
Saba Cosetta Saba
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Watch and Learn : Rhetorical Devices in Classroom Films after 1940
Masson Eef Masson
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Film Museum Practice and Film Historiography : The Case of the Nederlands Filmmuseum (1946-2000)
Lameris Bregt Lameris
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Images of Occupation in Dutch Film : Memory, Myth and the Cultural Legacy of War
Wendy Burke
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Humour and Irony in Dutch Post-war Fiction Film
Peter Verstraten
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The Films of Bill Morrison : Aesthetics of the Archive
Bernd Herzogenrath
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Filming for the Future : The Work of Louis van Gasteren
Pisters Patricia Pisters
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The Greatest Films Never Seen : The Film Archive and the Copyright Smokescreen
Op den Kamp Claudy Op den Kamp
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Images of Dutchness : Popular Visual Culture, Early Cinema and the Emergence of a National Cliche, 1800-1914
Dellmann Sarah Dellmann
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The Colour Fantastic : Chromatic Worlds of Silent Cinema
Giovanna Fossati
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Performing Moving Images : Access, Archives and Affects
Siewert Senta Siewert
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From Grain to Pixel : The Archival Life of Film in Transition, Third Revised Edition
Giovanna Fossati
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Dutch Post-war Fiction Film through a Lens of Psychoanalysis
Verstraten Peter Verstraten
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Preserving and Exhibiting Media Art : Challenges and Perspectives
Cosetta Saba
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Eef Masson
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Exposing the Film Apparatus : The Film Archive as a Research Laboratory
Giovanna Fossati
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Add to BasketThe Films of Bill Morrison : Aesthetics of the Archive
Bernd Herzogenrath
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