Machine Modernism, Masculinity, and the Trauma of War : The Art of Fernand Leger
Maureen G. (James Madison University) Shanahan
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Facing Images : Medieval Japanese Art and the Problem of Modernity
Kristopher W. (University of California, Los Angeles) Kersey
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Qayrawan : The Amuletic City
William (University of Exeter) Gallois
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Leonce Rosenberg’s Cubism : The Galerie L’Effort Moderne in Interwar Paris
Giovanni (Scuola Normale Superiore) Casini
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Postcards : Ephemeral Histories of Modernity
David (UIUC) Prochaska
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London Art Worlds : Mobile, Contingent, and Ephemeral Networks, 1960-1980
Jo (Lecturer, Courtauld Institute) Applin
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Ireland and the Problem of Information : Irish Writing, Radio, Late Modernist Communication
Damien (SUNY Buffalo) Keane
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Nature’s Experiments and the Search for Symbolist Form
Allison (Associate Professor, Queen’s University) Morehead
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Color in the Age of Impressionism : Commerce, Technology, and Art
Laura Anne Kalba
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Soviet Salvage : Imperial Debris, Revolutionary Reuse, and Russian Constructivism
Catherine Walworth
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Art and Form : From Roger Fry to Global Modernism
Sam (Lecturer in Art History, University of St. Andrews) Rose
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Art and Form : From Roger Fry to Global Modernism
Sam (Lecturer in Art History, University of St. Andrews) Rose
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Drawing Degree Zero : The Line from Minimal to Conceptual Art
Anna (Assistant Professor, Southern Methodist University) Lovatt
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Beyond Pleasure : Freud, Lacan, Barthes
Margaret Iversen
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The Curatorial Avant-Garde : Surrealism and Exhibition Practice in France, 1925–1941
Adam (Florida State University) Jolles
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Modernism and Its Merchandise : The Spanish Avant-Garde and Material Culture, 1920-1930
Juli (University of Michigan) Highfill
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Modernism and Its Merchandise : The Spanish Avant-Garde and Material Culture, 1920-1930
Juli (University of Michigan) Highfill
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Ireland and the Problem of Information : Irish Writing, Radio, Late Modernist Communication
Damien (SUNY Buffalo) Keane
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The Curatorial Avant-Garde : Surrealism and Exhibition Practice in France, 1925-1941
Adam Jolles
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Nature’s Experiments and the Search for Symbolist Form
Allison (Associate Professor, Queen’s University) Morehead
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Color in the Age of Impressionism : Commerce, Technology, and Art
Laura Anne (Smith College) Kalba
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Soviet Salvage : Imperial Debris, Revolutionary Reuse, and Russian Constructivism
Catherine Walworth
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£92.29
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London Art Worlds : Mobile, Contingent, and Ephemeral Networks, 1960-1980
Jo (Lecturer, Courtauld Institute) Applin
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Literary Obscenities : U.S. Case Law and Naturalism after Modernism
Erik M. (Lecturer) Bachman
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