The Catcher in the Rye and Philosophy : A Book for Bastards, Morons, and Madmen EPUB
Edited by Keith Dromm, Heather Salter
Part of the Popular Culture and Philosophy series
One premise of The Catcher in the Rye and Philosophy is that the ease and sincerity with which readers identify with Holden Caulfield rests on Salingers attention to the nuances and qualities of experience in the modern world. Coupled with Salingers deft subjective, first-person style, Holden comes to seem more real than any fictional character should. This and other paradoxes raised by the novel are treated by authors who find answers in philosophy, particularly in twentieth-century phenomenology and existentialism--areas of philosophy that share Salingers attention to lived, as opposed to theorized, experience. Holdens preoccupation with phonies, along with his constant striving to interpret and judge the motives and beliefs of those around him, also taps into contemporary interest in philosophical theories of justice and Harry Frankfurts recently celebrated analysis of "bullshit."
Per Salingers request, Catcher has never been made into a movie. One measure of the devotion and fanatical interest Catcher continues to inspire, however, is speculation in blogs and magazines about whether movie rights may become available in the wake of Salingers death in 2010. These articles remain purely hypothetical, but the questions they inspire--Who would direct? And, especially, Who would star as Holden Caulfield?--are as vivid and real as Holden himself.