Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Cuban Zarzuela : Performing Race and Gender on Havana's Lyric Stage, Hardback Book

Cuban Zarzuela : Performing Race and Gender on Havana's Lyric Stage Hardback

Hardback

Description

On September 29, 1927, Cuban soprano Rita Montaner walked onto the stage of Havana's Teatro Regina.

The cross-dressed actress sang the premiere of Eliseo Grenet's tango-congo, "Ay Mamá Inés" and cemented the song as a classic in the Cuban repertoire.

More importantly, her performance heralded the birth of the Cuban zarzuela, a Spanish-language light opera with spoken dialogue that originated in Spain but transformed popular entertainment in Cuba. Susan Thomas's award-winning book offers the first comprehensive study of the Cuban zarzuela.

Created by musicians and managers to meet a demand for family entertainment, the zarzuela revealed the emerging economic and cultural power of Cuba's white female bourgeoisie within the entertainment industry.

Thomas explores zarzuela's function as a pedagogical tool that composers, librettists, and business managers hoped would control their troupes and audiences by presenting desirable and problematic images of both feminine and masculine identities.

Focusing on character types such as the mulata, the negrito, and the ingénue, Thomas uncovers the zarzuela's richly textured relationship to social constructs of race, class, and especially gender.

Information

Save 13%

£39.00

£33.55

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information