New Perspectives on Music and Gesture
Elaine King
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Indian Classical Music and the Gramophone, 1900-1930
Vikram Sampath
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Multilevel Grounding : A Theory Of Musical Meaning
Mihailo Antovic
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Body and Force in Music : Metaphoric Constructions in Music Psychology
Youn Kim
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Artistic Practice as Research in Music: Theory, Criticism, Practice
Mine Dogantan-Dack
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Coughing and Clapping: Investigating Audience Experience
Karen Burland
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Jazz and Psychotherapy : Perspectives on the Complexity of Improvisation
Simeon Alev
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Jazz and Psychotherapy : Perspectives on the Complexity of Improvisation
Simeon Alev
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Expertise in Jazz Guitar Improvisation : A Cognitive Approach
Stein (Volda University College, Norway) Solstad
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Expertise in Jazz Guitar Improvisation : A Cognitive Approach
Stein (Volda University College, Norway) Solstad
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Embodiment of Musical Creativity : The Cognitive and Performative Causality of Musical Composition
Zvonimir Nagy
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Musical Sense-Making : Enaction, Experience, and Computation
Mark Reybrouck
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Musical Sense-Making : Enaction, Experience, and Computation
Mark Reybrouck
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New Approaches in Applied Musicology : A Common Framework for Music Education and Psychology Research
Adam Ockelford
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Expertise in Jazz Guitar Improvisation : A Cognitive Approach
Stein (Volda University College, Norway) Solstad
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Jazz and Psychotherapy : Perspectives on the Complexity of Improvisation
Simeon Alev
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Research-Creation in Music and the Arts : Towards a Collaborative Interdiscipline
Sophie Stevance
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Musical Creativity Revisited : Educational Foundations, Practices and Research
Oscar Odena
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Expanding Professionalism in Music and Higher Music Education : A Changing Game
Heidi Westerlund
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Children’s Guided Participation in Jazz Improvisation : A Study of the ‘Improbasen’ Learning Centre
Guro Gravem Johansen
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Musical Sense-Making : Enaction, Experience, and Computation
Mark Reybrouck
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Aural Education : Reconceptualising Ear Training in Higher Music Learning
Monika Andrianopoulou
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