Edward Albee's Who's Afraid of Virginia Woolf?
Michael Y. Bennett
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Unlimited Action : The Performance of Extremity in the 1970s
Dominic Johnson
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Questors, Jesters and Renegades : The Story of Britain's Amateur Theatre
Michael Coveney
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Living in the Magical Mode : Notes from the Book of Minutes of a Guild of Shy Sorcerers
Phil Smith
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Performance Studies: The Basics
Andreea S. Micu
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Dramaturgy: The Basics
Anne M. Hamilton
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Peter Grimes
Sam Kinchin-Smith
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Introduction to Speechwork for Actors : An Inclusive Approach
Ron (Yale School of Drama, USA) Carlos
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Parker, Lopez and Stone's The Book of Mormon
Brian Granger
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Georg Buchner's Woyzeck
Karoline Gritzner
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Constance Dejong: Reader
Constance Dejong
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It's Not Personal : Post 60s Body Art and Performance
Susan (Queensland College of Art, Griffith University, Australia Best
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I'm a Phoenix, Bitch
Bryony (Author) Kimmings
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Rock Songs : story about walk about story about walkabout story
Nick Sales
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Staging Voice
Michal Grover-Friedlander
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The Celestial Dancers : Manipuri Dance on Australian Stage
Amit Sarwal
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Playwriting, Dramaturgy and Space
Sara (University of Puget Sound, Washington) Freeman
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Martin Crimp’s Power Plays : Intertextuality, Sexuality, Desire
Vicky Angelaki
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Anne Frank on the Postwar Dutch Stage : Performance, Memory, Affect
Remco (Radboud University, The Netherlands) Ensel
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A Psychoanalytic Perspective on Tragedy, Theater and Death : Tadeusz Kantor and the Ontology of the Self
Konstantinos I. Arvanitakis
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Shared Listenings : Methods for Transcultural Musicianship and Research
Stefan (Lulea Tekniska Universitet, Sweden) Ostersjo
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Rock Graphic Originals : Revolutions in Sonic Art from Plate to Print ’55–’88
Peter Golding
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