The Performance Studies Reader
Henry (University of Kansas, USA) Bial
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Essential Programming for the Technical Artist
Chris Roda
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Guidelines for the Technical Examination of Bronze Sculpture
David Bourgarit
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Hans Haacke und Pierre Huyghe : Non-Human Living Sculptures seit den 1960er-Jahren
Ursula Strobele
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The Film Experience : An Introduction
Timothy Corrigan
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Perform, Repeat, Record : Live Art in History
Amelia (Roski School of Art and Design, University of Southern Jones
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Installation Art : Between Image and Stage
Anne Ring Petersen
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Musical Gestures : Sound, Movement, and Meaning
Rolf Inge (University of Oslo, Norway) Godoy
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The Conservation of Medieval Polychrome Wood Sculpture - History, Theory, Practice
Michele D. Marincola
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Everything is Relevant : Writings on Art and Life, 1991-2018
Ken Lum
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Magnificent Obsessions Saved My Life
Matthias Brunner
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Embracing New China : Uncensored Images of People, Growth, and Change
Aaron A Vessup
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An Anarchitectural Body of Work : Suzanne Harris and the Downtown New York Artists’ Community in the 1970s
Friederike Schafer
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The Sculptural in the (Post-)Digital Age
Mara-Johanna Kolmel
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Im Wandel der Zeit : Die Darstellung der Vier Jahreszeiten in der bildenden Kunst des 18. und fruhen 19. Jahrhunderts
Friederike Vosskamp
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After Nature. Cacti, Corals and Leaves
Claudia Comte
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Performing Archives/Archives of Performance
Gundhild Borggreen
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The Improvisation Studies Reader : Spontaneous Acts
Rebecca (University of Guelph, Ontario, Canada) Caines
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Conserving Outdoor Sculptures - The Stark Collection at the Getty Center
. Considine
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Adolphe Appia: Artist and Visionary of the Modern Theatre
Richard C. Beacham
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