The Idler 95, March/April 2024 : Giles and Mary
Tom Hodgkinson
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Scene Change : Why Today’s Nonprofit Arts Organizations Have to Stop Producing Art and Start Producing Impact
Alan Harrison
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Gender, Sex, and Sexuality in Musical Theatre : He/She/They Could Have Danced All Night
Kelly (DePaul University) Kessler
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Technical Animation in Video Games
Matthew Lake
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Black Art and Aesthetics : Relationalities, Interiorities, Reckonings
Michael Kelly
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Selected Letters of Clive Bell : Art, Love and War in Bloomsbury
Mark Hussey
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Temporary Monuments : Art, Land, and America's Racial Enterprise
Rebecca Zorach
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Data Dating : Love, Technology, Desire
Ania (University of Poland) Malinowska
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Art of Sound : Creativity in Film Sound and Electroacoustic Music
Andrew Knight-Hill
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Beyond the Sovereign Self : Aesthetic Autonomy from the Avant-Garde to Socially Engaged Art
Grant H. Kester
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Motion Picture and Video Lighting
Blain Brown
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The Python Audio Cookbook : Recipes for Audio Scripting with Python
Alexandros Drymonitis
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Reportage Drawing : Vision and Experience
Louis (University of Portsmouth, UK) Netter
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Playing to the Gallery : Helping Contemporary Art in its Struggle to Be Understood
Grayson Perry
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The Shock of the New : Art and the Century of Change
Robert Hughes
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Daisy Haites: The Great Undoing : Book 4
Jessa Hastings
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Art in Theory 1900 - 2000 : An Anthology of Changing Ideas
Charles (Open University) Harrison
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How to Write About Contemporary Art
Gilda Williams
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The Firebird : the sweeping story of love, sacrifice, courage and redemption
Susanna Kearsley
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Natasha's Dance : A Cultural History of Russia
Orlando Figes
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The Work of Art in the Age of Mechanical Reproduction
Walter Benjamin
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Funny Weather : Art in an Emergency
Olivia Laing
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Unlocking Women's Art : Pioneers, Visionaries & Radicals of Paint
P L Henderson
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Monsters : What Do We Do with Great Art by Bad People?
Claire Dederer
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