Artists' Things : Rediscovering Lost Property from Eighteenth-Century France
Katie Scott
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From Antwerp to Amsterdam : Painting from the Sixteenth and Seventeenth Centuries
Koenraad Jonckheere
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Art, Patronage, and Nepotism in Early Modern Rome
Karen J. Lloyd
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Living with Sculpture : Presence and Power in Europe, 1400-1750
Elizabeth Rice Mattison
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The Influence of Italian Culture on the Sevillian Golden Age of Painting
Rafael Japon
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Networks and Practices of Connoisseurship in the Global Eighteenth Century
Valerie Kobi
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Made in Japan : Farbholzschnitte von Hiroshige, Kunisada und Hokusai
Judith Rauser
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Artemisia Gentileschi : The Image of the Female Hero in Italian Baroque Art
Mary D. Garrard
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The Enlightenment : A Sourcebook and Reader
Olga Gomez
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Academies of Art : Past and Present
Nikolaus Pevsner
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Critical Perspectives on Roman Baroque Sculpture
Anthony (Johns Hopkins) Colantuono
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Concepts of Value in European Material Culture, 1500-1900
Bert De Munck
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Transpacific Engagements : Trade, Translation, and Visual Culture of Entangled Empires (1565-1898)
Florina H Capistrano-Baker
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Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795
Carolyn Dowdell
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Literature and the Arts : Interdisciplinary Essays in Memory of James Anderson Winn
Anna Battigelli
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Francois Boucher and the Art of Collecting in Eighteenth-Century France
Jessica Priebe
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Landscape Painting in Revolutionary France : Liberty's Embrace
Steven Adams
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Art, Mobility, and Exchange in Early Modern Tuscany and Eurasia
Francesco Freddolini
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Restoration as Fabrication of Origins : A Material and Political History of Italian Renaissance Art
Henri de Riedmatten
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Artemisia Gentileschi around 1622 : The Shaping and Reshaping of an Artistic Identity
Mary D. Garrard
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The Cambridge Companion to Velazquez
Suzanne L. Stratton-Pruitt
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Rembrandt. The Painter Thinking
Ernst van de Wetering
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Why Does Tragedy Give Pleasure?
A. D. (Professor of English and Fellow, Professor of English Nuttall
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Architecture and Geometry in the Age of the Baroque
George L. Hersey
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