Expressionists: Kandinsky, Munter and The Blue Rider
Natalia (Curator, International Art, Tate Modern) Sidlina
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The Blue Rider : Masters of Art
Florian Heine
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The Bloomsbury Look
Wendy Hitchmough
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The Monster Leviathan : Anarchitecture
Aaron Betsky
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Gabriele Muenter : Painting to the Point
Isabelle Jansen
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Rene Magritte : The Artist's Materials
Catherine Defeyt
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Dis…Miss Gender?
Anne Bray
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American Watercolors, 1880-1990 : Into the Light
Joachim Homann
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Picasso Barcelona – A Cartography
Claustre Rafart
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Ludwig Mies van der Rohe : Complete Writings 1922–1969
Vittorio Pizzigoni
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Julio Galan : The Art of Performative Transgression
Teresa Eckmann
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Lead in Modern and Contemporary Art
Dr. Sharon (Independent Scholar, Independent Scholar, Italy) Hecker
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A Cultural History of Color in the Modern Age
Dr Anders (Umea University, Sweden) Steinvall
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Materials, Practices, and Politics of Shine in Modern Art and Popular Culture
Antje (Goethe University Frankfurt, Germany) Krause-Wahl
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Jeanne Mammen : Art Between Resistance and Conformity in Modern Germany, 1916-1950
Camilla (University of Birmingham, UK) Smith
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The Art of Entertainment : Popular Performance in Modern British Art, 1880 to 1940
Jason Price
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The Traumatic Surreal : Germanophone Women Artists and Surrealism After the Second World War
Patricia Allmer
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Surrealism and Film After 1945 : Absolutely Modern Mysteries
Kristoffer Noheden
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Henry Gray's Anatomy : Descriptive and Surgical
Henry Gray
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The New York Market for French Art in the Gilded Age, 1867-1893
Leanne M. (Central Connecticut State University, USA) Zalewski
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24! / Fragen an die Konkrete Gegenwart
Mathias Listl
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Ecole de Paris global : Die Erfindung von Paris als Kunstzentrum in internationalen Ausstellungen zwischen 1921–1946
Annabel Ruckdeschel
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Wege zur Gerechtigkeit bei „NS-Raubkunst“ : Die heutige Restitutionspraxis im Lichte des alliierten Ruckerstattungsrechts
Charis Hahne
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