Ecole de Paris global : Die Erfindung von Paris als Kunstzentrum in internationalen Ausstellungen zwischen 1921–1946
Annabel Ruckdeschel
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Wege zur Gerechtigkeit bei „NS-Raubkunst“ : Die heutige Restitutionspraxis im Lichte des alliierten Ruckerstattungsrechts
Charis Hahne
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Ausgleichsleistungen fur Kulturguterverluste wahrend der Zeit des Nationalsozialismus in Frankreich
Johannes von Lintig
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Body Sweats : The Uncensored Writings of Elsa von Freytag-Loringhoven
Elsa von Freytag-Loringhoven
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African Modernism : The Architecture of Independence. Ghana, Senegal, Cote d'Ivoire, Kenya, Zambia
Manuel Herz
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Purity is a Myth - The Materiality of Concrete Art from Argentina, Brazil, and Uruguay
Zanna Gilbert
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Prairie Interlace : Weaving, Modernisms, and the Expanded Frame, 1960-2000
Michele Hardy
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An Anarchitectural Body of Work : Suzanne Harris and the Downtown New York Artists’ Community in the 1970s
Friederike Schafer
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Marcel Duchamp and the Architecture of Desire
Penelope Haralambidou
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Matisse and the Subject of Modernism
Alastair Wright
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Picasso: Minotaurs and Matadors
John Richardson
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Cahiers d'Art 39th Year Special Issue 2015: Picasso in the Studio
Brigitte Leal
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Tokyo Cyberpunk : Posthumanism in Japanese Visual Culture
Steven T. Brown
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Irrational Modernism : A Neurasthenic History of New York Dada
Amelia (USC Roski School of Art and Design) Jones
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Schonberg and Kandinsky : An Historic Encounter
Konrad Boehmer
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Emotion and the Arts
Mette (Associate Professor of English, Associate Professor of E Hjort
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The Themerson Archive Catalogue, 3-vol. set : Three Volumes (vol I, Letters and Documents; vol II, The Themersons, vol III, Gaberbocchus)
Jasia Reichardt
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History of the Surrealist Movement
Gerard Durozoi
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Visualizing the Text : From Manuscript Culture to the Age of Caricature
Lauren Beck
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The Last Expression : Art and Auschwitz
David Mickenberg
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Oregon Painters : Landscape to Modernism, 1859-1959
Ginny Allen
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Documenting Spain : Artists, Exhibition Culture, and the Modern Nation, 1929-1939
Jordana (New York University ) Mendelson
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The Social and the Real : Political Art of the 1930s in the Western Hemisphere
Alejandro (William Paterson University) Anreus
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Beyond National Identity : Pictorial Indigenism as a Modernist Strategy in Andean Art, 1920-1960
Michele (George Mason University) Greet
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