Handbook of Costume Accessories
Diane Favell
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Add to BasketTheatre, Performance and Technology : The Development and Transformation of Scenography
Christopher Baugh
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Historical Wig Styling: Victorian to the Present
Allison (Wig and Makeup Specialist, Austin Performing Arts Cen Lowery
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Add to BasketCostume Design: The Basics
T.M. Delligatti
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Add to BasketFoundations of Stage Makeup
Daniel Townsend
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Add to BasketTheory for Theatre Studies: Sound
Susan (University of Calgary, Canada) Bennett
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Add to BasketCostume : Readings in Theatre Practice
Ali Maclaurin
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Period Reproduction Buckram Hats : The Costumer’s Guide
Crystal G. Herman
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Add to BasketPlaywriting : A Backstage Guide
Prof. Dan (Author, Royal Holloway, University of London, UK Rebellato
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Wigs, Hair and Make-Up : A Backstage Guide
Helen (National Theatre, UK) Casey
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The Art of Scenic Design : A Practical Guide to the Creative Process
Robert Mark Morgan
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Add to BasketContemporary Performance Lighting : Experience, Creativity and Meaning
Katherine Graham
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Add to BasketMaking Site-Specific Theatre and Performance : A Handbook
Phil Smith
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Mixing a Musical : Broadway Theatrical Sound Techniques
Shannon Slaton
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Add to BasketThe Assistant Lighting Designer's Toolkit
Anne E. (Head of Design, California State University, Los Ang McMills
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Add to BasketSymbolism in Nineteenth-Century Ballet : "Giselle", "Coppelia", "The Sleeping Beauty" and "Swan Lake"
Margaret Fleming-Markarian
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Add to BasketThe Tempest : The 30-Minute Shakespeare
William Shakespeare
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The Actor in Costume
Aoife Monks
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Painting for Performance : A Beginner’s Guide to Great Painted Scenery
Sean O'Skea
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Add to BasketWig Making and Styling : A Complete Guide for Theatre & Film
Martha Ruskai
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Add to BasketIntroduction to Speechwork for Actors : An Inclusive Approach
Ron (Yale School of Drama, USA) Carlos
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Add to BasketPerformance and Technology : Practices of Virtual Embodiment and Interactivity
S. Broadhurst
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Add to BasketWorking Backstage : A Cultural History and Ethnography of Technical Theater Labor
Christin Essin
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Bloody Brilliant: How to Develop, Execute, and Clean Up Blood Effects for Live Performance
Jennifer McClure
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