Inhabiting the Impossible : Dance and Experimentation in Puerto Rico
Susan Homar
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The Routledge Companion to Copyright and Creativity in the 21st Century
Michelle Bogre
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Contemporary Lusophone African Film : Transnational Communities and Alternative Modernities
Paulo de Medeiros
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One-Track Mind : Capitalism, Technology, and the Art of the Pop Song
Asif Siddiqi
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Dance Data, Cognition, and Multimodal Communication
Carla Fernandes
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The Symphony in Australia, 1960-2020
Rhoderick McNeill
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The Routledge Companion to Ethics and Research in Ethnomusicology
Jonathan P. J. Stock
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Devised Theater’s Collaborative Performance : Making Masterpieces from Collective Concepts
Telory D Arendell
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England’s Folk Revival and the Problem of Identity in Traditional Music
Joseph Williams
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Border Crossings and Mobilities on Screen
Ruxandra (Edge Hill University, United Kingdom) Trandafoiu
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Asian Sound Cultures : Voice, Noise, Sound, Technology
Iris Haukamp
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Techniques of Hearing : History, Theory and Practices
Michael Schillmeier
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Museum Exhibitions and Suspense : The Use of Screenwriting Techniques in Curatorial Practice
Ariane Karbe
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In-Between Worlds : Performing [as] Bauls in an Age of Extremism
Sukanya Chakrabarti
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War and Death in the Music of George Crumb : A Crisis of Collective Memory
Abigail Shupe
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The Mediations of Music : Critical Approaches after Adorno
Gianmario Borio
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Spider-Man: Into the Spider-Verse : Youth, Race, and the Hypertext
Charlie Michael
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A History of Western Music
J Peter Burkholder
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Hollywood's Imperial Wars : The Vietnam Generation and the American Myth of Heroic Continuity
Armando Jose Prats
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Race and Media Literacy, Explained (or Why Does the Black Guy Die First?)
Frederick W. Gooding, Jr.
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