Cutting Rhythms : Intuitive Film Editing
Karen Pearlman
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Dancefilm : Choreography and the Moving Image
Erin (Lecturer, Lecturer, University of New South Wales) Brannigan
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Documentary Filmmaking in the Middle East and North Africa
Viola Shafik
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The Screenplay : Authorship, Theory and Criticism
Steven Price
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Existential Media : A Media Theory of the Limit Situation
Amanda Lagerkvist
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Amar Akbar Anthony : Bollywood, Brotherhood, and the Nation
Elison William Elison
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The Computer-Animated Film : Industry, Style and Genre
Christopher Holliday
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À la rencontre du cinéma français : analyse, genre, histoire
Berg Robert J. Berg
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Get Real: Documentary Theatre Past and Present
A. Forsyth
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Televising Queer Women : A Reader
R. Beirne
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Narrative Strategies in Television Series
G. Allrath
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Paul Tillich and the Possibility of Revelation through Film
Jonathan Brant
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Hitchcock and the Cinema of Sensations : Embodied Film Theory and Cinematic Reception
Paul Elliott
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How the Soviet Jew Was Made
Sasha Senderovich
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Interrogating the Image : Movies and the World of Film and Television
Del Jacobs
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American Cinema of the 1990s : Themes and Variations
Holmlund Chris Holmlund
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European Cinema and Television : Cultural Policy and Everyday Life
Ib Bondebjerg
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Beyond Aesthetics : Philosophical Essays
Noel Carroll
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Opening Bazin : Postwar Film Theory and Its Afterlife
Dudley Andrew
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Plants in Science Fiction : Speculative Vegetation
Katherine E. Bishop
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New Blood in Contemporary Cinema : Women Directors and the Poetics of Horror
Patricia Pisters
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