Lena Horne : Goddess Reclaimed
Donald Bogle
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African Cinema: Manifesto and Practice for Cultural Decolonization : Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
Michael T. Martin
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Cinema Memories : A People's History of Cinema-going in 1960s Britain
Melvyn (University College London, UK) Stokes
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Poltergeist
Rob McLaughlin
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The Value Gap – Female–Driven Films from Pitch to Premiere
Courtney Brannon Donoghue
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Material Media-Making in the Digital Age
Daniel (RMIT University, Australia) Binns
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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Hollywood Pride : A Celebration of LGBTQ+ Representation and Perseverance in Film
Alonso Duralde
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Intermedialities : Political Theory and Cinematic Experience
Davide Panagia
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Bloody Women : Women Directors of Horror
Victoria McCollum
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Copyright Vigilantes : Intellectual Property and the Hollywood Superhero
Ezra Claverie
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The Sinful Maternal : Motherhood in Possession Films
Lauren Rocha
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The New Wave Cinema in Iran : A Critical Study
Parviz (Independent Scholar, UK) Jahed
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I’m Not a Film Star : David Bowie as Actor
Ian (Nanyang Technological University, Singapore) Dixon
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The Myth of Harm : Horror, Censorship and the Child
Sarah Cleary
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The Prison of Time : Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino
Elisa Pezzotta
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The Cinematic Influence : Interaction and Exchange Between the Cinemas of France and Japan
Peter C. (University of Adelaide, Australia) Pugsley
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Indigeneity in Latin American Cinema
Milton Fernando Gonzalez Rodriguez
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Art and the Historical Film : Between Realism and the Sublime
Dr Gillian McIver
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Screening the Crisis : US Cinema and Social Change in the Wake of the 2008 Crash
Dr. Hilaria (former Associate Professor, University of Zaragoza, Loyo
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Ingmar Bergman at the Crossroads : Between Theory and Practice
Maaret Koskinen
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Costa-Gavras : Encounters with History
Professor John J. Michalczyk
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