Hilltop Hoods' The Calling
Dr. Dianne (Senior Lecturer, University of Adelaide, Australia Rodger
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From My Life : The Autobiography of Eduard Hanslick
Tom Moore
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Music Farther Outside : Experimental Music During Brexit and the Pandemic
Bill Shoemaker
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Bach's St. John Passion for the Twenty-First Century : Musical and Theological Perspectives
Michael Fuchs
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Political Dreams and Musical Themes in the 1848–1922 Formation of Czechoslovakia : Interaction of National and Global Forces
James W. Peterson
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Venue Stories : Narratives, Memories, and Histories from Britain's Independent Music Spaces
Robert Edgar
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Schonberg verstehen : »Uberwaltigende Vielheit dissonanter Klange«
Gerold Gruber
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Schauspielvektoren im Kontrabassrepertoire im 20. und 21. Jahrhundert
Felipe Portinho
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Acting vectors in the Double Bass Repertoire in the 20th and 21st Centuries
Felipe Portinho
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Vettori recitanti nel repertorio del contrabbasso nel XX e XXI secolo
Felipe Portinho
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Canciones Espanolas Para Voz Y Piano Sobre Poesias de Lope de Vega
Carlos Lopez Galarza
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The Alexander Scriabin Companion : History, Performance, and Lore
Lincoln Ballard
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Sound and Light : La Monte Young and Marian Zazeela
William Duckworth
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Bob Dylan, Bruce Springsteen, and American Song
Larry David Smith
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From 1989, or European Music and the Modernist Unconscious
Seth Brodsky
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Music of the Renaissance : Imagination and Reality of a Cultural Practice
Laurenz Lutteken
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Schubert's Late Music : History, Theory, Style
Lorraine (National University of Ireland, Maynooth) Byrne Bodley
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Fruits of the Cross : Passiontide Music Theater in Habsburg Vienna
Robert L. Kendrick
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Shared Meanings in the Film Music of Philip Glass : Music, Multimedia and Postminimalism
Tristian Evans
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The Performance Style of Jascha Heifetz
Dario Sarlo
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Studies in Historical Improvisation : From Cantare super Librum to Partimenti
Massimiliano Guido
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