Screening the Operatic Stage : Television and Beyond
Christopher Morris
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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The Pipe Organ : A Composer's Guide
James (Sub-Organist, Sub-Organist, Gloucester Cathedral) Mitchell
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Vaughan Williams and His World
Byron Adams
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The Cambridge Companion to Amy Beach
E. Douglas (Elizabethtown College, Pennsylvania) Bomberger
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Globalization of the Content : Critical Cases from Media, Communication, and Art in Turkey
Tuna Tetik
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Twenty-Four Songs and Arias in Spanish
Patricia Caicedo
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Commentaries on the Cantatas of Johann Sebastian Bach : A Selective Guide
Hans-Joachim Schulze
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The Ring of Words : An Anthology of Song Texts
Philip Lieson Miller
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Twenty-Four Songs and Arias in Spanish : From XV to XXI Centuries. For Medium-Low Voices
Patricia Caicedo
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Recording Orchestra and Other Classical Music Ensembles
Richard King
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Jazz Migrations : Movement as Place Among New York Musicians
Ofer (Senior Lecturer in Music, Senior Lecturer in Music, Tel A Gazit
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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Liyuanxi - Chinese 'Pear Garden Theatre'
Josh (University of Sydney, Australia) Stenberg
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Growing Your Choral Program : A Practical Guide for New Directors
Nicolas Alberto Dosman
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