Wagner: The Complete Experience : And Its Meaning to Us
Paul Dawson-Bowling
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Add to BasketMusic, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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Pasticcio Opera in Britain : History and Context
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
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Narrative and Robert Schumann’s Songs : A New Approach to the Romantic Lied
Dr. Andrew H. (Contributor) Weaver
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Liszt Recomposed : Exploring Intertextual Fluidity in Song
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Parsifal : In Full Score
Richard Wagner
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Demystifying Scriabin
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Berlioz: Symphonie Fantastique
Julian (University of Leeds) Rushton
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Seeing Opera Anew : A Cultural and Biological Perspective
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
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Puccini in Context
Alexandra (Oxford Brookes University) Wilson
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Lieder Line by Line : and Word for Word
Lois Phillips
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Classical and Romantic Performing Practice 1750-1900
Clive (Professor of Applied Musicology, Professor of Applied Mu Brown
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Gustav Mahler: Volume 2. Vienna: The Years of Challenge (1897-1904)
Henry-Louis de (President, President, Bibliotheque musicale La Grange
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Franz Schubert : A Biography
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Classical Form : A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
William E. (Associate Professor of Music, Associate Professor Caplin
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